Takashi Murakami The 500 Arhats Exhibition Catalogue in English&JPN kaikaikiki

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Takashi Murakami The 500 Arhats Exhibition Catalogue
written in English&JPN/Kaikai Kiki

Condition : Brand New
Perfect Condition. Never opened.(see the photo of the film around this book)
Publication date : January 2016
Release Country: Japan
pages: 306 pages
weight: 1.7kg

Connect the geek culture and art history of Japan to Japan after the defeat to the theme,
Takashi Murakami new ground of which caused a big storm in the modern art world from the invention of ''super flat''.
In Japan, the exhibition for the first time in '14 pictorial record.

Although The front cover of a book is 500 Arhats,
Not only 500 Arhats but also other Newest themes of Takashi Murakami which you can see in Exhibition
at Tokyo Roppongi TAKASHI MURAKAMI 2016.
(you can see the photoes on this pages)


The Japan Premiere of Takashi Murakami's Epic, The 500 Arhats

Takashi Murakami, inspired by a series of dialogues with art historian Tsuji Nobuo for The Geijutsu Shincho art journal, and by paintings of the Five Hundred Arhats by Kano Kazunobu (1816-1863) and Nagasawa Rosetsu (1754-1799), enlisted over 200 students from Japanese art colleges to carry out the arduous task of completing, in a very short period of time, his 100-meter-long magnum opus painting.
The work consists of four sections bearing the names of the legendary Chinese guardians of the four celestial directions (blue dragon - east, white tiger - west, red bird - south, and black tortoise - north). Addressing themes of religion and art, human mortality and limitations, this new monumental work breaks new ground in Murakami' s creativity. His The 500 Arhats was unveiled overseas, making the forthcoming exhibition in Japan a 'homecoming.'


* The 500 Arhats
The 500 arhats are thought of as enlightened disciples of Buddha who spread his teachings and give ordinary people salvation from worldly desires. The faith of the arhats was conveyed to Japan during the Heian period (8th-12th century) and flourished throughout the country from the Edo period (17th-19th century) on in the forms of paintings and sculptures. Kano Kazunobu's Five Hundred Arhat's (housed at Zojoji Temple in Shiba, Tokyo), a 100-scroll series of paintings, was exhibited in Japan in its entirety for the first time at the Edo Tokyo Museum immediately following the 2011 Great East Japan Earthquake and Tsunami, and at the Arthur M. Sackler Gallery, a Smithsonian museum in Washington, D.C. in 2012. Both exhibitions drew tremendous public attention.





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